A Venture to the MOORS

THE MOORS is about a governess, Emilie, who ventures from London to the Moors for love, and two sisters who are desperate to be seen by someone other than each other. Agatha, the older of the two is distant and stern, while Huldey, the younger, dreams of fame and recognition. These three women, stuck in a house with the sassiest maid I have every laid eyes on, Marjory, all come together and drift apart in ways I wouldn’t have anticipated. This play truly kept me on the edge of my seat, and it reminded me that wanting love and attention is okay but that how you go about getting those things is important. 

I’m not sure what I expected when walking into the Earle Ernst Lap Theatre, but the thrilling, comedic story presented in THE MOORS wasn’t it. Acted out on a simple, tennis court style stage, the show really came through because of the actors performances and interpretations of their parts. The chemistry and tension between Agatha (Emily Steward), Emilie (Emily Wright), Huldey (Kela Neil), and Marjory (Hulita Drake) was palpable, and they held the attention of everyone present. The story that ran parallel to the main plot was delightful to watch as well. Mastiff (Christopher Apina) and Moor Hen (Chelsea Cox) were an interesting representation of what I interpreted as an abuses/toxic relationship. It interesting and sad to see their story progress, and I found myself wanting more of their story and wishing that it hadn’t ended the way it did.

Written by Athena Iokepa.